Interview Dialog: An Art Critic Interviews Andrew Conway-Hyde on Dichroic Glass Abstract Sculptures

Critic: Good afternoon, Andrew! It’s a pleasure to be here exploring your stunning dichroic glass abstract sculptures. Your work truly captivates with its interplay of light and colour.

Andrew Conway-Hyde: Good afternoon! I’m excited to discuss the fascinating world of dichroic glass and how it influences my artistic vision.

Critic: Let’s dive into it! What drew you to dichroic glass as a medium for your sculptures?

Andrew Conway-Hyde: Dichroic glass is incredibly unique; it changes colour based on the angle of light and the viewer’s perspective. This dynamic quality intrigued me, as it allows for an ever-evolving experience. Each moment spent with the sculpture can reveal something new, which fosters a deeper connection with the piece.

Critic: That’s a compelling reason! How do you see the relationship between light and colour in your work?

Andrew Conway-Hyde: Light is the essence of my sculptures. It not only illuminates the vibrant colours but also interacts with the glass surface to create reflections and refractions. This relationship transforms the viewer’s experience, making the artwork a living entity that changes with its environment.

Critic: Fascinating! In what ways do you think clarity in the glass enhances the overall impact of your sculptures?

Andrew Conway-Hyde: Clarity in the glass is crucial. It allows light to penetrate and interact with the material, enhancing the vibrant colors and creating depth. The transparency of the glass invites viewers to look beyond the surface, encouraging them to explore the layers of light and color that exist within the piece.

Critic: I love that idea of exploring layers! When designing your sculptures, how do you plan for the reflections and shadows that will emerge?

Andrew Conway-Hyde: Planning for reflections and shadows is a vital part of my process. I consider the positioning of each piece in relation to light sources, as well as the angles and curves of the glass. This thoughtful arrangement creates a dance of light, where shadows and reflections contribute to the sculpture’s narrative, adding complexity and intrigue.

Critic: That’s a meticulous approach! Can you describe a specific sculpture that exemplifies this interplay of light, clarity, and colour?

Andrew Conway-Hyde: One piece that stands out is titled “Prism of Possibilities.” The sculpture features layered dichroic glass in varying shapes, which creates a spectrum of colours as light passes through and reflects off the surfaces. The clarity allows for a breathtaking visual experience, where viewers can immerse themselves in the shifting hues as they move around the sculpture.

Critic: “Prism of Possibilities” sounds enchanting! How do you hope viewers engage with the light and colour in your sculptures?

Andrew Conway-Hyde: I want viewers to actively engage with the pieces, walk around them and observe hows the colou light transformrs and shapes. I hope this interaction sparks curiosity and evokes emotions, allowing each person to have their own unique experience shaped by their perspective.

Critic: That’s a beautiful intention! In your opinion, how does dichroic glass as a medium challenge traditional notions of colour in art?

Andrew Conway-Hyde: Dichroic glass challenges traditional notions by defying static colour representation. Unlike paint, which is fixed, the colours in the dichroic glass are fluid, shifting and changing with light and angle. This variability mirrors the complexity of human emotion and perception, inviting a more dynamic relationship between the art and the viewer.

Critic: I love that perspective! How does the process of creating dichroic glass sculptures differ from other mediums you’ve worked with?

Andrew Conway-Hyde: Working with dichroic glass requires a different mindset. The material itself is less forgiving than paint or clay, as it can be challenging to manipulate. It demands precision and an understanding of how light behaves. This process often leads to unexpected discoveries, which I embrace as part of the artistic journey.

Critic: That sounds both challenging and rewarding! Lastly, what do you hope audiences take away from experiencing your dichroic glass sculptures?

Andrew Conway-Hyde: I hope they leave with a sense of wonder and contemplation. I want them to appreciate the intricate interplay of light and colour and to reflect on how their own perceptions can shift based on their viewpoint. Ultimately, I aim to inspire a deeper connection to the beauty and complexity of the world around us.

Critic: Thank you so much, Andrew! This has been an enlightening discussion about your dichroic glass sculptures. I can’t wait to see how your exploration of light and colour continues to evolve.

Andrew Conway-Hyde: Thank you! I’ve enjoyed sharing my thoughts with you, and I look forward to what lies ahead in this exciting journey of art!