Andrew Conway-Hyde on Japanese Influences in His Abstract Fine Art
Critic: Good afternoon, Andrew! It’s a pleasure to be here, exploring your fascinating interest in Japanese art influences, particularly Urushi works and techniques.
Andrew Conway-Hyde: Good afternoon! I’m excited to discuss how Japanese art and culture have shaped my approach to abstract fine art.
Critic: Let’s dive right in! What initially drew you to Japanese art, and specifically to Urushi techniques?
Andrew Conway-Hyde: My fascination with Japanese art began with its deep cultural significance and meticulous craftsmanship. Urushi, or traditional Japanese lacquer, is a remarkable technique that combines artistry with functionality. The rich, lustrous finishes and the way Urushi interacts with light captivated me, inspiring me to explore how these elements could enhance my own work.
Critic: That’s a beautiful motivation! How do you incorporate Urushi techniques into your abstract fine art practice?
Andrew Conway-Hyde: I’ve adapted Urushi techniques by layering lacquer and pigments in my pieces to create depth and texture. The process of applying multiple layers allows me to build a rich surface that captures light in dynamic ways, much like traditional Urushi works. This approach not only enhances the visual impact but also connects my work to a historical and cultural context.
Critic: That sounds incredibly engaging! What specific qualities of Urushi resonate with your artistic vision?
Andrew Conway-Hyde: The qualities of Urushi that resonate with me include its versatility and the way it transforms over time. The natural materials used in Urushi create a unique interaction with light, resulting in a depth that evolves as the piece ages. I find this idea of transformation compelling, as it mirrors the fluidity and change inherent in abstract art.
Critic: I love the notion of transformation in art! How do you see traditional Japanese aesthetics influencing your view of abstraction?
Andrew Conway-Hyde: Traditional Japanese aesthetics, particularly concepts like Wabi-Sabi—the beauty of imperfection and transience—greatly influence my approach. In abstraction, I embrace the idea that beauty can be found in simplicity and the passage of time. This perspective encourages me to explore imperfections and variations within my work, creating a more organic and authentic expression.
Critic: That’s a profound connection! Can you describe a specific piece where you’ve integrated Urushi techniques and traditional Japanese aesthetics into your abstract work?
Andrew Conway-Hyde: One piece that exemplifies this integration is titled “Eternal Layers.” In this work, I’ve utilised Urushi layering techniques to create a lustrous surface that glows under different lighting conditions. The layering process not only adds depth but also incorporates subtle variations in colour, reflecting the essence of Wabi-Sabi. It invites viewers to appreciate the beauty in each imperfection and the evolving nature of the artwork.
Critic: “Eternal Layers” sounds enchanting! How do you hope viewers engage with the cultural and historical aspects of your work?
Andrew Conway-Hyde: I hope viewers take the time to reflect on the cultural narratives embedded within the pieces. By incorporating traditional Japanese techniques, I aim to create a dialogue about the intersection of history and contemporary art. I want them to explore their own interpretations and appreciate how these influences shape their experience of the artwork.
Critic: That’s a beautiful intention. How do you see your exploration of Japanese techniques contributing to the broader conversation in contemporary abstract art?
Andrew Conway-Hyde: My exploration of Japanese techniques enriches the conversation by bridging traditional practices with contemporary expressions. It highlights the importance of cultural exchange in art, encouraging artists to draw inspiration from diverse sources. This fusion of techniques can lead to innovative outcomes and a more inclusive understanding of abstraction.
Critic: Thank you, Andrew! This has been a captivating discussion about your interest in Japanese influences, especially Urushi techniques, and how they shape your abstract fine art. I look forward to seeing how your artistic journey continues to evolve.
Andrew Conway-Hyde: Thank you!